variations goldberg youtube

Marlioz, le 31 décembre 2020

Her 1957 Abby Road Studio mono recording finds her at her most slow and articulated. Derzhavina’s countryman Andrei Gavrilov recorded the piece for Deutsche Grammophon in 1994. She appears to observe all the best qualities of Bach performers from the past (some are mentioned above) while having her own unique voice. Though it won’t win every listener, to me it’s very persuasive. Schiff’s way with Bach is not of sacred robustness; The virtuosity and dancing elements are thoroughly explored while preserving a true sense of the whole. The sustaining pedal is almost entirely dispensed with, using the acoustic of the hall as a tool for a cantabile sound. Explore our masterpiece guide to Bach’s ‘Goldberg Variations’ featuring Lang Lang’s studio and live recordings of the monumental work. An obvious solution is to play some elements on the piano as Forte, and others Pianissimo, but that still doesn’t fully do justice to the intention of the composer. Solennel, pesant et comme ânonné, le Bach d’Evgeni Koroliov suscite un rejet unanime. It’s a voice that penetrates deeply, while never being an extrovert. This performance is lacking any resemblance of his great talent which comes across on many other fine recordings. Bach: "Open" Goldberg Variations, BWV 988 (Piano) by Kimiko Ishizaka, released 28 May 2012 1. In the early years of the Naxos label, it was snobbishly treated by the established music outlets and part of the classical music enthusiasts. … The Goldberg Variations, BWV 988 was first published in 1741.It is considered a landmark composition, and one that demands expertise in performance technique. Variatio 5 a 1 ovvero 2 Clav. The Goldberg Variations stood at the beginning of her international career and represent the “greatest musical encounter” of her life. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. J ust when you think there are enough recordings of Bach’s Goldberg Variations, here comes one that makes the music sound fresh off the page.The pianist … Bach: Goldberg Variations, BWV 988; ... Gould only recorded the work twice, in 1955 and 1981. While Glenn Gould's 1955 debut recording of Bach's Goldberg Variations has attained legendary status, there are many devoted fans who rank the 1981 recording just as highly, even though it offers a dramatically different interpretation. All of the original recording’s qualities are here, and it is still a well-planned performance to a fault, but there are some extra pronouncement of the musical ideas and a better recording. In addition, Baroque ornaments which sound suitable or even “natural” on the Harpsichord, can be either less effective on the piano, or disruptive to the musical phrases. Get our periodic classical music newsletter with our recent reviews, news and beginners guides. Bach loved virtuosity, and the Goldberg Variations is full of moments that could fairly be described as “flashy” – dazzling scale passages, risky hand-crossings. It’s now sold separately by Sony and can be appreciated solely on its own. The long journey with the variations (she observes all the repeats) is sustained with a wonderful singing tone and little, appropriate ornamentations. Koroliov singing-along is not totally unique, but his performance does not compensate for the annoyance. Joanna MacGregor restless version has one really memorable moment – The Aria De Capo at the end, where the last variation continues to echo, breaking into what should be a clean start of the last chapter. Listening to Beatrice Rana’s quite recent release, the word “refreshing” is the first to come to mind. Another pioneering Goldberg Variations recording was made in the same period by Eunice Norton, as well as some other attempts by this less-known American pianist. With all of its oddities, it’s a great version. The work itself consists of 30 variations, starting with a single 'Aria'. Although he is not ideally recorded, his handling of repeats will never cease to put a smile on your face (It may also allow you to ignore the mediocre recording quality and instrument). He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and vocal music such as the St Matthew Passion and the Mass in B minor. A great version that no one will regret purchasing or listening to. If you are willing to pay the price, that is. The first real, full piano version of the Goldberg Variations was probably made by the great Chilean pianist, Claudio Arrau in 1942. Rather disappointingly, Chen rerecording of the piece in the more up-to-date Teldec Studio in Berlin (2001) took the other opposite in regards to repeats, ornamentation and exploratory territory, and the results are forced and unnatural. But there are some missteps as well, such as what sounds like a wrong tempo choice for some of the variations, just in order to keep a rhythmic unity, such as the hectic Var. One can describe his way of playing musical phrases as “declaratory”, or, as Schiff likes to call it, “Parlando” – In a speaking manner. Almost 20 years gone by, with full Bach, Mozart and Schubert cycles under his belt, and Schiff re-recorded the piece for ECM, in an outstanding version taken live from Basel. Alexis Weissenberg (1981, EMI-Warner) plays the Goldberg Variations in what can only be described as unequipped to handle Bach’s style, with changes of tempos, awkward ornamentation, exaggerated dynamic and heavy-handed sound. It’s most definitely a different voice among the latest versions, and even if not one of the absolute best, it’s highly recommendable. Despite the Boom of harpsichord recordings in the 80’s and the hype of the late Gould version, recording the piece of on the piano was still a rare occasion. Are you referring to live performances (excerpts) from youtube, by chance? Vladimir Feltsman (Music Masters, 1991), N°4 This brings much more clarity to the contrapunct writing and to the playful ornaments in the repeats – This time even more daring than the Decca version. 7) and a true cantabile playing (Var. (Jeremy Denk joins us all week to explore the Goldberg Variations. Version C Evgeni Koroliov (Hänssler, 1999). Une certaine évidence s’impose dès les premières mesures, grâce au joli galbe de la phrase et un soleil illuminant la première variation. Bach’s monumental Goldberg Variations is captured here on disc in what is virtually a “live” performance. Listening blindly to Ekaterina Derzhavina’s account (1994), you’d think you are in the company of a truly great Bach performer. The pianist recorded the piece in a short period of time and then edited it in the studio for few months. This version stands out due to the consistency of its approach. Also, don’t forget to sign up for our classical music newsletter to be updated once new guides are published. And it’s a fine version. He is a judged pianist, assured yet humble. However, you can’t deny a great artist is at work, and Kempff’s unmistakable sound and authority are clearly projected in this recording. It’s a shame it didn’t get the attention it deserved at the time of its release, a mistake this guide may be able to fix. If what you are looking for is improvisatory, heavily ornamented Bach, look no further than Andrea Bacchetti (2012). Daniel Barenboim’s live Goldberg Variations (1989, Teldec) is full of wisdom and some nice individual touches, very reminiscent of his early Beethoven Piano Sonatas cycle for EMI. Some other live performances exist out there, and a Truck fan should choose his or her favorite after a thorough listening. After four days in the recording studio (in this case, London’s wonderful Henry Wood Hall), Angela had every variation on tape, but wanted to try the opening Aria again. Part of it can be attributed to her own instrument, a well defined, evenly tuned Fazioli 308 piano. She is also unapologetically pianistic, incorporating noticeable crescendos and diminuendos, not available on instruments in Bach’s time, though her usage of the sustaining pedal is spare. 7. 41: The Chess Game, based on J.S. Perahia continued to record many other Bach records for Sony, and then to Deutsche Grammophon, but he has never done better. Anne-Marie Sylvestre, Producer Purchase: On first listening, it’s rather surprising how “modern” this performance sounds. Nous voici plongés dans le luxe d’un piano sculptural, dont l’opulence dessert peut-être la lisibilité de la polyphonie. The relatively slower tempi, which sounded so well and refreshing in the Richard Egarr version on the harpsichord, sounds heavy and mannered here. In some variations, you sometimes feel as if you are in the midst of a lullaby. It may show us some musical intents from this well-respected pianist, but it’s hardly a full image of how Serkin might have performed the piece. Quelle est la meilleure version des "Variations Goldberg" de Jean Sébastien Bach ? 16 as an example). Read his posts on Tuesday and Thursday.). “Open Goldberg Variations – BWV 988 – 32 – Aria da Capo é Fine″ Youtube Upload: False Claims and Disputes Report on October 10, 2013 “Open Goldberg Variations – BWV 988 – 31 – Variatio 30 a 1″ Youtube Upload: False Claims and Disputes Report on October 10, 2013 Schiff continued to record the complete keyboard repertoire for Decca over the next few years, but this Goldberg Variations still remains one of the highlights of the cycle. Glenn Gould nous a quitté il y plus de 20 ans , en Octobre 1982 , mais grace à ses enregistrements il vivra pour encore longtemps , bien longtemps Lors de la vision , écoutez bien , le piano n'est pas seul à nous bercer , Glenn Gould chantonne .. What did you think about our recommendation for Harpsichord and Piano? Share this guide or tell us in the comments. Gould’s digital 1981 version is also fascinating from start to finish, and like his 1955 mono recording, should be in any record collection. Charles Rosen’s version (Sony, 1969) is effective, calm, assured, maybe too “ordinary” and lacking in memorable moments. For me, Murray Perahia’s version will probably remain not only one of the best versions of the Goldberg ever recorded, but also one of Perahia’s best and a landmark piano recording. Pourtant Ekaterina Dershavina échoue à caractériser la seconde partie, privée d’allégresse. Zhu Xiao-Mei has many admirers worldwide, partially because of her unique biography and documentaries made of her life. Gavrilov is a truly fascinating pianist, using all of the tools of his disposals to illuminate this masterpiece. Still, you can’t deny the charm and excitement this 1955 recording project. Listening to Nicholas Angelich, there is never a doubt about his technical command of the piece and the instrument. There’s a certain heaviness in her playing, along with a didactic directness, making us aware of every interpretational decision and ornamentation (The last of which she was a true academic expert). Igor Levit’s recording was released as part of his much-praised 3 variations set, which included, besides the Goldbergs, Beethoven’s Diabelli Variations and Rzewski’s “The People United Will Never Be Defeated!”. First published in 1741 as the fourth in a series Bach called Clavier-Übung, "keyboard practice", the work is considered to be one of the most important examples of variation form. A tribute to the body and the art of dance; a timeless work of dazzling beauty to be enjoyed again and again.Since its premiere in 2005, bODY_rEMIX/gOLDBERG_vARIATIONS has achieved exceptional renown. Aug-11-2018, 20:24 #11. There is too much octave doubling, registers changes and non-legato, Gould-like phrasing, though without the Canadian mastermind behind it. Votez ci-dessous pour votre version préférée.Laissez un commentaire et tentez de gagner le disque France Musique de la semaine. The “black pearl” is one of the longest on record, losing most of the momentum built before. Ekaterina Dershavina (Arte Nova, 1994), N°6 She keeps the tempo tight up except for some dramatic, strategically planned pauses like before the “black pearl” variation. His ornaments in repeats sound just right and never excessive, and he also enjoys Sony’s best engineering services. It covers classical music reviews, as well as in-depth guides and classical music news. The Goldberg Variations, BWV. A worthy listening, then, not one of the best. Filming & Editing: Liora Livne. There is much more maturity in this version, without scarifying one bit of the spontaneity and true wonder and fascination of the piece. Here Comes The Canadian Superstar Barenboim approach treats each variation as an almost separate entity, including long pauses between the variations. It’s a fine performance, but relatively hard to come by. I also decided to recommend a “Sleeper version” that may have missed the eye of the criticism or the public. But on the piano, a crucial element is missing – the double keyboard instructions. But it can hardly be considered as one of the best versions. Tharaud’s keyboard control is a source of wonder, changing colors and projecting lights and shades like very few pianists. En cliquant sur « je m’abonne », j’accepte que les données recueillies par Radio France soient destinées à l’envoi par courrier électronique de contenus et d'informations relatifs aux programmes. Hear as an example variations 15 and 20; If we compare this point to Schiff, he is at his absolute best here, giving emotional intensity without sounding exaggerated. There is a calm naturalness to his playing, as was so impressive in his release of the complete Partitas in 2014. For the super-budget price it was once offered, it presented a remarkable value – An assured, well recorded and technically commanding performance, with some nice individual touches. Sous les doigts d’Igor Levit, l’aria est précautionneuse : il lui manque la flamme, le plaisir et quelque chose de pâle et de doctoral se dégage de cette interprétation au toucher certes soyeux, mais dénuée d’éclat et de profondeur. Unfortunately, there is no single definitive version of the Goldberg Variations as played by Tureck, as each has its pros and cons. Recevez chaque vendredi le meilleur de France Musique ! Her handling of repeats has more to do with bringing out hidden voices than adding more notes, and she is at her best on the slower, mellow variation (Var. Variatio 2 a 1 Clav. Many will, others won’t. Variatio 4 a 1 Clav. Publié le mercredi 27 septembre 2017 à 18h14, En musique, le trombone dans tous ses états, Musicopolis : Les Voyages de Charles de Brosses, Petit Papa Noël, le tube français de Noël, Les albums pour bien fêter noël en musique. Version F This makes for a very consistent listening experience, but yet again brings some oddities of tempo choices. 5) some nice voicing of the ornaments (Val. The result is fascinating, still steers controversies and demands to be heard. Like many great performances, it’s hard to explain how the artist actually achieves what he does, or hearing the piece played in any other way. It should be in every collection for a lifetime of enjoyment. Another pioneering Goldberg Variations recording was made in the same period by Eunice Norton, as well as some other attempts by this less-known American pianist. Evgeny Koroliov starts the Goldberg Variations in a rather dull manner, but the performance really takes off in the first half of the set. Guère envie de s’attarder en compagnie de ces Goldberg bien sérieuses. Vous recherchez une œuvre entendue sur une Webradio ? His Goldberg Variations, unfortunately, do not reach the same artistic level. Bösendorfer 290 Imperial. Version E It’s right up there with Perahia and other distinguished versions from the past, and can’t be overlooked. From an interpretative standpoint you can argue against his decision to incorporate too much of pianissimo to an almost inaudible effect (Val. You can never fault Jeremy Denk for his originality and clear-thinking, but what worked so well for the American pianist in other releases does not necessarily sounds fully formed here; The repeats are interesting, but some fluctuation of tempo, highly contrasted dynamics and 19th century-like pianistic style and plain rush on certain variations will not speak to all tastes. On the same label, we have the immaculate Jenő Jandó, who recorded to the label practically all of the major piano repertoire. Variations Goldberg par Vladimir Feltsman, Variations Goldberg par Ekaterina Feltsman. After transforming the music over the course of an hour, using different time signatures, textures, and harmonies, the beautiful first aria returns, with a completely different feel from the first hearing. La référence moderne ? It’s a fine performance, but relatively hard to come by. two keyboards) of the instrument, and on others the performer can double the notes by activating this mechanism on a suitable instrument, playing on one keyboard but operating both keyboards on the same time. Tatiana Nikolaiva’s first recorded the piece in the late 70’s for the Melodia label, one of few live and studio recordings by this great Russian artist. It sometimes becomes available on YouTube, if you’re curious. Murray Perahia (Sony, 2000), N°3 It sometimes becomes available on YouTube, if you’re curious. In 1802, Johann Nicolaus Forkel, who wrote the first biography of Bach, claimed the piece was named after a certain Johann Gottlieb Goldberg, a teenager attached to the Russian ambassador who took lessons from J.S. J.S. 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Variatio 1 a 1 Clav. Also from the same period, we have some unfortunate version by a great artist that is clearly out of his element, even on his second attempt at the piece. The approach here is different, almost ideological in the consistency of rhythm from first note to the last. Schiff has a lifelong experience with the Goldberg Variations yet it’s marvelous how live and spontaneous it still sounds. Alexandre Tharaud’s version is arguably the most impressive, moving and fascinating version since Perahia and Schiff’s – A truly unique voice in a crowded field of hundreds of recordings, on both harpsichord and piano. Rudolf Serkin made a piano roll take on the variations, and it was later adapted to modern pianos and recorded as an original performance. It’s clear from the performance how much joy Sims gets from playing the piece, and we are generally lucky to be shared with that joy. Get periodic updates about new classical music albums reviews, news and guides.We respect your privacy. The main downside of this release is a little lack of spontaneity; Everything sounds well planned and executed, even when Hewitt breaks from the original written text. The Classic Review was launched in 2018 for classical music lovers around the globe. See below the previous parts (Part I, Part II). For the “sleeper” choice, Ekaterina Dershavina version is surprising with its effectiveness, without the pianist appearing to do large gestures or employing big dramatic gestures (isn’t that a mark of a great artist?). It’s better to ignore the “Cinderella” tale of Simone Dinnerstein’s release – Referring to a self-made recording that was picked up by a major label – So we can listen to the performance with fresh ears. András Schiff’s second version for ECM is so engaging, so fulfilling that one can’t avoid recommending it in any collection as well. Déception. As we’ve seen in the second part, which recommends the best recording of Bach’s Goldberg Variations on the Harpsichord, in some variations Bach instructed the performer to use two manuals (i.e. There is a very attractive rhythmic consistency, which perhaps somewhat paradoxically makes the quieter, slower variations (Such as Var. Playing Bach’s Goldberg Variations on the piano exhibits enormous challenges; It seems that the additional possibilities this instrument has over the Harpsichord can even be considered an obstacle, rather than an advantage. 15), or his overall rhythmic stiffness (Val. Picking five great recordings of the Goldberg Variations these days without mentioning Gould is a little like leaving Sgt. 25. The only drawback is the rather dry recording, but with such high an artistic quality you soon forget it. Gould does select some variations to repeat when he has something new to say the second time over (which is how it should be). What are the Goldberg Variations? In 2015 Hewitt rerecorded the piece for Hyperion. Mais comme Murray Perahia sait faire chanter son Bach, lui insuffler chaleur, souplesse, esprit, caractère !

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