variations goldberg youtube

Marlioz, le 31 décembre 2020

Votez ci-dessous pour votre version préférée.Laissez un commentaire et tentez de gagner le disque France Musique de la semaine. Variatio 1 a 1 Clav. The main downside of this release is a little lack of spontaneity; Everything sounds well planned and executed, even when Hewitt breaks from the original written text. First published in 1741 as the fourth in a series Bach called Clavier-Übung, "keyboard practice", the work is considered to be one of the most important examples of variation form. Version A Here Comes The Canadian Superstar Maria Tipo’s take on the variations from the late 80’s (EMI-Warner) is commendable, with some nice voice coloring and intricate pedal work. There are some hints of 19th-century romanticism that can be heard in other early Bach studio recordings, and consistent tempo choices that make the performance flow from start to finish. On the other hand, there’s a little “middle of the road” feel here, with many of the repeats (only a few are observed) not exploring anything new. The Goldberg Variations belong to Bach’s late period, in which the composer pushes the boundaries of musical themes in a play of variations, canons and fugues. two keyboards) of the instrument, and on others the performer can double the notes by activating this mechanism on a suitable instrument, playing on one keyboard but operating both keyboards on the same time. 7. 15 & 25), or the little humorous touches Denk incorporates, such as in Var. 3. It’s clear from the performance how much joy Sims gets from playing the piece, and we are generally lucky to be shared with that joy. There is too much octave doubling, registers changes and non-legato, Gould-like phrasing, though without the Canadian mastermind behind it. The Classic Review was launched in 2018 for classical music lovers around the globe. Some pianists have handled these difficulties masterfully, while others were less successful. Share this guide or tell us in the comments. This makes for a very consistent listening experience, but yet again brings some oddities of tempo choices. Listening to Nicholas Angelich, there is never a doubt about his technical command of the piece and the instrument. Tatiana Nikolaiva’s first recorded the piece in the late 70’s for the Melodia label, one of few live and studio recordings by this great Russian artist. Version C Publié le mercredi 27 septembre 2017 à 18h14, En musique, le trombone dans tous ses états, Musicopolis : Les Voyages de Charles de Brosses, Petit Papa Noël, le tube français de Noël, Les albums pour bien fêter noël en musique. 988, are a set of 30 variations for harpsichord by Johann Sebastian Bach. One can describe his way of playing musical phrases as “declaratory”, or, as Schiff likes to call it, “Parlando” – In a speaking manner. Listening to Beatrice Rana’s quite recent release, the word “refreshing” is the first to come to mind. In some variations, you sometimes feel as if you are in the midst of a lullaby. Playing Bach’s Goldberg Variations on the piano exhibits enormous challenges; It seems that the additional possibilities this instrument has over the Harpsichord can even be considered an obstacle, rather than an advantage. Evgeny Koroliov starts the Goldberg Variations in a rather dull manner, but the performance really takes off in the first half of the set. All of the original recording’s qualities are here, and it is still a well-planned performance to a fault, but there are some extra pronouncement of the musical ideas and a better recording. 7) and a true cantabile playing (Var. As covered in the first part of this guide, Bach left very little instructions regarding tempo and phrasing in the score, so they are left to the discretion of the performer. But on the piano, a crucial element is missing – the double keyboard instructions. After transforming the music over the course of an hour, using different time signatures, textures, and harmonies, the beautiful first aria returns, with a completely different feel from the first hearing. Charles Rosen’s version (Sony, 1969) is effective, calm, assured, maybe too “ordinary” and lacking in memorable moments. … Intéressant tout de même. This brings much more clarity to the contrapunct writing and to the playful ornaments in the repeats – This time even more daring than the Decca version. ⇒ 5 more: Variations 1-6 • Variations 7-12 • Variations 13-18 • Variations 19-24 • Variations 25-30, Aria da capo e fine ... Open Goldberg Variations. Levit also finds the right balance between a full continuous rhythm and a small breathing space for each variation. Picking five great recordings of the Goldberg Variations these days without mentioning Gould is a little like leaving Sgt. Like Hewitt, he is never shy of using all the possibilities of the modern grand piano, but there is also a sense that it’s done only at the service of a musical idea (hear the “overture” variation No. The only question is whether the listener will be taken by Schiff declaratory phrasing. András Schiff’s second version for ECM is so engaging, so fulfilling that one can’t avoid recommending it in any collection as well. It’s a very energetic, almost jazzy version, but MacGregor sometimes can’t technically keep up with her own tempo choices. Bösendorfer 290 Imperial. This may be one reason that Pi-hsien Chen’s impressive version (1988) hasn’t been given a proper attention. Recorded in Teldex Studio, Berlin, 2012. It’s an interesting, well (if closely) recorded version, but not a first choice. 21 and 25) especially moving. Another pioneering Goldberg Variations recording was made in the same period by Eunice Norton, as well as some other attempts by this less-known American pianist. A new recording by Lang Lang, a star Chinese pianist, is a reminder of the complex beauty of Johann Sebastian Bach’s compositions She recorded much more Bach in the past two decades, and in some of these releases, she is most definitely more impressive. In the early years of the Naxos label, it was snobbishly treated by the established music outlets and part of the classical music enthusiasts. The Goldberg Variations were still largely unfamiliar to the musical public when Józef Koffler completed his extraordinary arrangement – for flute, oboe, cor anglais, bassoon and strings – in 1938. As we’ve seen in the second part, which recommends the best recording of Bach’s Goldberg Variations on the Harpsichord, in some variations Bach instructed the performer to use two manuals (i.e. Get our periodic classical music newsletter with our recent reviews, news and beginners guides. Her 1957 Abby Road Studio mono recording finds her at her most slow and articulated. Part of it can be attributed to her own instrument, a well defined, evenly tuned Fazioli 308 piano. For Hewitt admirers, then, the second version on Hyperion is the way to go. His ornaments in repeats sound just right and never excessive, and he also enjoys Sony’s best engineering services. It’s right up there with Perahia and other distinguished versions from the past, and can’t be overlooked. Lori Sims presents a “live” version in all sense of the word; There is a lot of spontaneity, extra excitement, obvious audience noise and, let’s admit it, some missteps that would have been corrected in studio conditions. A tribute to the body and the art of dance; a timeless work of dazzling beauty to be enjoyed again and again.Since its premiere in 2005, bODY_rEMIX/gOLDBERG_vARIATIONS has achieved exceptional renown. A worthy listening, then, not one of the best. However, she decides for some reason to repeat only the first part of the Aria and all of the variations and there is a hint of anachronism when Tipo doubles the basses, sounding like a Busoni adaptation of the piece. This includes debatable tempo and dynamic choices. Many will, others won’t. It’s a shame it didn’t get the attention it deserved at the time of its release, a mistake this guide may be able to fix. Her performance is touching in it’s naive, unassuming and modest approach. She keeps the tempo tight up except for some dramatic, strategically planned pauses like before the “black pearl” variation. Glenn Gould nous a quitté il y plus de 20 ans , en Octobre 1982 , mais grace à ses enregistrements il vivra pour encore longtemps , bien longtemps Lors de la vision , écoutez bien , le piano n'est pas seul à nous bercer , Glenn Gould chantonne .. Une certaine évidence s’impose dès les premières mesures, grâce au joli galbe de la phrase et un soleil illuminant la première variation. The only slight annoyance in this recording is what seems to be fingernails hitting the keys in the early variations (most noticeable in Variation 3). 4). In general, it’s a well recorded, serious version that has less of a chance to jell into memory. Never excessive, it’s a simplified playing that manages to move the listener with its purity. Gould’s digital 1981 version is also fascinating from start to finish, and like his 1955 mono recording, should be in any record collection. Gavrilov is a truly fascinating pianist, using all of the tools of his disposals to illuminate this masterpiece. 227 "Jesu, meine Freude" de Bach, La Tétralogie de Richard Wagner (version concert) : Prologue "L'Or du Rhin", Les chants de révolte des mondine en Italie. Murray Perahia (Sony, 2000), N°3 Almost 20 years gone by, with full Bach, Mozart and Schubert cycles under his belt, and Schiff re-recorded the piece for ECM, in an outstanding version taken live from Basel. Daniel Barenboim’s live Goldberg Variations (1989, Teldec) is full of wisdom and some nice individual touches, very reminiscent of his early Beethoven Piano Sonatas cycle for EMI. Variatio 5 a 1 ovvero 2 Clav. On the same label, we have the immaculate Jenő Jandó, who recorded to the label practically all of the major piano repertoire. It’s a fine performance, but relatively hard to come by. A later 80’s recording on the VAI label probably finds her at her absolute best, relatively free and flowing, but she is let down by an amateurish recording made on a private concert. The ones that are available, show Nikolayeva as mesmerizing romantic Bach player, which, although not to all tastes, can be utterly enjoyable. There is a calm naturalness to his playing, as was so impressive in his release of the complete Partitas in 2014. What did you think about our recommendation for Harpsichord and Piano? He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and vocal music such as the St Matthew Passion and the Mass in B minor. The approach here is different, almost ideological in the consistency of rhythm from first note to the last. It’s now sold separately by Sony and can be appreciated solely on its own. It should be in any respectable classical music collection. Goldberg Variations, an audio recording conducted by Glenn Gould with the original handwritten scores of J.S. This version of the Goldbergs seems to have everything – spirituality, technical command, a real sense of structure and harmonic tension, carefully observed voice leading and a dash of playfulness. This earlier version already displays him as a true individual artist, fascinatingly ornamenting the repeats and projecting a clear vision of the piece as a whole, while mastering the tiniest contrapuntal elements (See variation 4 as an example of a masterful contrapunct performance). Bach's Goldberg Variations, Part 1 (Variations 1-15) Consists of selections from Bach's Goldberg Variations BWV 988, performed on harpsichord, alternating with variations composed by John Lewis for harpsichord and piano, each based on the preceding original: Queens Pawn Opening Aria On Harpisichord From an interpretative standpoint you can argue against his decision to incorporate too much of pianissimo to an almost inaudible effect (Val. Unfortunately, as always with Hewitt and other Hyperion artists, you will have to purchase the physical CD or a direct download, as the label does not agree to stream their catalog for financial reasons. Are you referring to live performances (excerpts) from youtube, by chance? Jeremy Denk on the Goldberg Variations' sense of play {The Guardian} NPR. Aug-11-2018, 20:24 #11. The “black pearl” is one of the longest on record, losing most of the momentum built before. Perahia continued to record many other Bach records for Sony, and then to Deutsche Grammophon, but he has never done better. L’équilibre, l’humanité face au texte, le naturel du discours, et, surtout, toute la lumière des Goldberg, leurs murmures, leurs traits virevoltants, leur poésie funambulesque : Zhu Xiao-Mei raconte, danse, déclame le chef-d’œuvre de Bach avec une fluidité, une sérénité et une élégance qui semblent faire le tour de la question. The entire performance seems rushed, not giving the music time to breath or make an impression by itself (Gould’s decision not to play a single repeat adds to this). 13 or the sluggish Var. For me, Murray Perahia’s version will probably remain not only one of the best versions of the Goldberg ever recorded, but also one of Perahia’s best and a landmark piano recording. Her two versions of the Goldbergs I find somewhat cold and indifferent. After four days in the recording studio (in this case, London’s wonderful Henry Wood Hall), Angela had every variation on tape, but wanted to try the opening Aria again. Though it won’t win every listener, to me it’s very persuasive. Hear as an example variations 15 and 20; If we compare this point to Schiff, he is at his absolute best here, giving emotional intensity without sounding exaggerated. She appears to observe all the best qualities of Bach performers from the past (some are mentioned above) while having her own unique voice. There is also some emotional intensity when called for, such as in variation 21, and tender flexibility in the “black pearl” variation, No. Jandó’s version of the Well-Tempered Klavier Book 2 which came out some years before his Goldbergs was a great surprise, presenting him as a direct, assured Bach player. Joanna MacGregor restless version has one really memorable moment – The Aria De Capo at the end, where the last variation continues to echo, breaking into what should be a clean start of the last chapter. Read our Best Of guides for classical music. For the “sleeper” choice, Ekaterina Dershavina version is surprising with its effectiveness, without the pianist appearing to do large gestures or employing big dramatic gestures (isn’t that a mark of a great artist?). Anne-Marie Sylvestre, Producer Purchase: You can never fault Jeremy Denk for his originality and clear-thinking, but what worked so well for the American pianist in other releases does not necessarily sounds fully formed here; The repeats are interesting, but some fluctuation of tempo, highly contrasted dynamics and 19th century-like pianistic style and plain rush on certain variations will not speak to all tastes. 41: The Chess Game, based on J.S. Bach: Goldberg Variations, BWV 988; ... Gould only recorded the work twice, in 1955 and 1981. But some do manage to stand out from the crowd. The work itself consists of 30 variations, starting with a single 'Aria'. All the repeats are observed, with changes mainly to do with dynamics and bringing off hidden voices to the forefront. It’s a brilliant idea and that is brilliantly executed, but unfortunately, there is little to be persuaded by in the 70 minutes of music that proceeds it. The transition from the masterfully played 25th variation to the 26th can only be described as a sense of resurrection. Quelle est la meilleure version des "Variations Goldberg" de Jean Sébastien Bach ? The sustaining pedal is almost entirely dispensed with, using the acoustic of the hall as a tool for a cantabile sound. Déception. Truck obviously looks at the Goldberg Variations as a mammoth of a musical piece, in the scale of the St. Mathew Passion or the B Minor Mass. Sixty years on, the Goldberg Variations are ubiquitous. Vladimir Feltsman (Music Masters, 1991), N°4 Maybe this: there is a sense of exploration, traveling through all the intricacies of the human experience. Quelle est la meilleure version du Motet BWV227 "Jesu, meine Freude" de Jean Sébastien Bach ? Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. As most (if not all) of Gould’s recordings, there are intentional oddities, some of which plain nonsensical, including unnatural phrasing, inflation of staccatos and excessively fast or slow tempo choices. Again, this is one of the most impressive Goldberg Variations in the current catalog, and even if you are looking for a more “jubilance” experience, Tharaud is too talented to ignore. Listen free to Glenn Gould – Goldberg Variations (Bach's Goldberg Variations BWV 988: Aria, Bach's Goldberg Variations BWV 988: Variation No 1 and more). There is much more maturity in this version, without scarifying one bit of the spontaneity and true wonder and fascination of the piece. Sony Music’s latest remastering from 2013 sounds the best for my ears, and it includes Gould’s later take on the piece (1981). The relatively slower tempi, which sounded so well and refreshing in the Richard Egarr version on the harpsichord, sounds heavy and mannered here. On first listening, it’s rather surprising how “modern” this performance sounds. There are some impressive technical examples (Var. Some other live performances exist out there, and a Truck fan should choose his or her favorite after a thorough listening. In 1802, Johann Nicolaus Forkel, who wrote the first biography of Bach, claimed the piece was named after a certain Johann Gottlieb Goldberg, a teenager attached to the Russian ambassador who took lessons from J.S. The pianist recorded the piece in a short period of time and then edited it in the studio for few months. L'Aria qui débute et fini les Variations Goldberg est sublime telle une carresse . Another pioneering Goldberg Variations recording was made in the same period by Eunice Norton, as well as some other attempts by this less-known American pianist. Overall, a well executed and recorded version, but a bit pale next to the extreme competition. Recevez chaque vendredi le meilleur de France Musique ! After a long absence from the recording studio, Derzhavina releases new recordings on the German Hänssler label, with recent albums of Bach’s French suites and Medtner solo and chamber works very nicely done indeed. Sous les doigts d’Igor Levit, l’aria est précautionneuse : il lui manque la flamme, le plaisir et quelque chose de pâle et de doctoral se dégage de cette interprétation au toucher certes soyeux, mais dénuée d’éclat et de profondeur. Review: Monteverdi – il terzo libro de’ madrigali – Alessandrini, Review: Mozart – Grand Partita, Simpson – “Geysir” (2020), Review: “Dear Mademoiselle” – Astrig Siranossian, Cello, Year In Review – Our Top 10 Classical Albums for 2020, Review: Ammann, Ravel, Bartók – Piano Concertos – Haefliger, Helsinki Philharmonic Orchestra, Mälkki, Bach Goldberg Variations – The Best Recordings – Part I, Bach Goldberg Variations – The Best Recordings – Part 2 – Harpsichord Versions, sign up for our classical music newsletter, Eric Lu is the Winner of Leeds Piano Competition 2018, New Album Review: Zefiro Performs Bach Brandenburg Concertos, Review: “London, Circa 1720, Corelli’s Legacy” – La Rêveuse, Review: Martinů – Violin Concertos – Frank Peter Zimmermann, Bamberger Symphoniker, Jakub Hruša, Review: “Amici e Rivali” – Lawrence Brownlee and Michael Spyres perform Rossini, Double Review: Quatuor Arod and the Signum Quartett Play Schubert, Review: “Silver Age” – Daniil Trifonov Plays Stravinsky, Prokofiev, Scriabin, Read of the latest news in classical music, Looking for the best version of a classical music piece? Gould does select some variations to repeat when he has something new to say the second time over (which is how it should be). Mais comme Murray Perahia sait faire chanter son Bach, lui insuffler chaleur, souplesse, esprit, caractère ! Dinnrestein’s way with Bach is mellow, reflective, quiet, almost meditative. Her handling of repeats has more to do with bringing out hidden voices than adding more notes, and she is at her best on the slower, mellow variation (Var. In 2015 Hewitt rerecorded the piece for Hyperion. Tharaud’s keyboard control is a source of wonder, changing colors and projecting lights and shades like very few pianists. Schiff has a lifelong experience with the Goldberg Variations yet it’s marvelous how live and spontaneous it still sounds. The highlights of this version include the minor, slow variations (try var. The first real, full piano version of the Goldberg Variations was probably made by the great Chilean pianist, Claudio Arrau in 1942. Zhu Xiao-Mei (Mirare, 1990), N°2 For this composition, he started from a simple and quiet melody, joined with an underlying bass line, which steadily unfolds into a musical cosmos that reveals itself with extraordinary variety and unparalleled complexity. Rather disappointingly, Chen rerecording of the piece in the more up-to-date Teldec Studio in Berlin (2001) took the other opposite in regards to repeats, ornamentation and exploratory territory, and the results are forced and unnatural. Barenboim approach treats each variation as an almost separate entity, including long pauses between the variations. The recording quality, though tolerable, is not ideal. N°1 The Goldberg Variations stood at the beginning of her international career and represent the “greatest musical encounter” of her life. Elsa Fottorino, Alain Lompech et Philippe Venturini élisent la version de référence des "Variations Goldberg" de Jean Sébastien Bach. The Goldberg Variations, BWV. Alexis Weissenberg (1981, EMI-Warner) plays the Goldberg Variations in what can only be described as unequipped to handle Bach’s style, with changes of tempos, awkward ornamentation, exaggerated dynamic and heavy-handed sound. This is an impressive document, and the mono recording is rather good for its age. The best reason to hate Bach's Goldberg Variations—aside from the … But let us talk about the big grand piano in the room – Glenn Gould.Gould’s 1955 mono recording of the variations brought it back to fashion, being a huge commercial success and brought fame to the Canadian which lasted till the end of his short life. Compared to other versions, Tharaud is less inclined to walk the extra mile to emphasize some internal jokes and humor, and it’s indeed a very “serious” version. Zhu Xiao-Mei has many admirers worldwide, partially because of her unique biography and documentaries made of her life. The availability of some of these recordings is somewhat problematic, so it was difficult to recommend the best version for Nokolaiva’s admirers. Regrettably, his handling of the repeats is sometimes intrusive, and the performance loses the momentum in the second half. Evgeni Koroliov (Hänssler, 1999). Another version for courageous listeners is by Vladimir Feltsman, who’s extravagant account takes one too many steps of making the variations “interesting” at any cost. Bach: "Open" Goldberg Variations, BWV 988 (Piano) by Kimiko Ishizaka, released 28 May 2012 1. Canone all Unisuono 5. Her treatment of the repeats are still rather controversial; She opts for changes in phrasing, voicing and dynamics rather than a brilliant ornament. He also hurries up with the end of every variation. Although he is not ideally recorded, his handling of repeats will never cease to put a smile on your face (It may also allow you to ignore the mediocre recording quality and instrument). Ses Variations Goldberg, avec leurs aigus cliquetants et saturés, versent volontiers dans le loufoque : mille idées par mesure à défaut d’une véritable idée maîtresse qui donnerait corps et cohérence à l’ensemble. A right balance between playfulness and serenity. Les Goldberg d’un fin narrateur, portées par une implacable dramaturgie. But there are some missteps as well, such as what sounds like a wrong tempo choice for some of the variations, just in order to keep a rhythmic unity, such as the hectic Var.

Code Promo Odalys Juin 2020, Ecole Superieure Des Inspecteurs De La Police Nationale, Marinade Porc Plancha, Pneu Karting Sodikart, Effectif Lazio 2002, Vol Paris île Maurice Air Mauritius, Parait 6 Lettres, Recherche Académique Définition, Aéroport Barcelone Centre-ville, Fort Synonyme 5 Lettres, Finale Roland-garros 2019 Résultats, Prise Directe En 3 Lettres, La Deuxième étoile Film Complet Streaming,